I have discussed my reasons for wanting to work with still and moving image together in a previous blog – See Point 2.
I began L3 very much with moving image in mind and created A1 with a music student, and during A2, where I worked with pic london, I made a film – which could be linked-to in this project in an installation – and web presentation which I will concentrate on in SYP.
However, by A3/A4 I was focused on a publication which will go to print at some point. But I always planned to have that fixed element accompanied by a moving image or series of moving images too. Once I had reached a point with the print version I returned to thinking about a film and visited the store of films I’d identified as possible sources of material earlier on.
I had collected the following:
- bb_minnie_the_moocher
- natural history of psychotic illness in childhood
- the hydrogen atom as viewed by quantum mechanics
- Eye film cut
- How_the_Eye_Functions
- Medicusc1939
Over the months of making this work and the essay, it became clear I was exploring perception and how that is changing.
I also added a couple more films including one about digestion (thinking about Otto Fenical) and
I found this film (clip)
And played with it a bit, wrote about it here as I begin to use Sketchbook as one means of publicising the work for SYP (WordPress does not strip EXIF data as far as I am aware so it good for SEO) https://sarahjanefieldblog.wordpress.com/2020/07/04/work-in-progress-found-footage-a-film-about-the-senses/
– editing in other clips to make the following
As much as like the music, it places it somewhere very specific which I didn’t want so tried the music backwards
But it still wasn’t right, even though some comments were, it sounds Russin and therefore relevent to today’s cultural consciousness with al the talk of The Russia Report) so I approached a couple of composers. I had worked with. Simon Gwynne wrote the music for my S&O final project .
Simon was more than happy to write something new but he had already been experimenting with an AI programme and I listened to those tracks and some others he’d recently written. I really liked the AI stuff – my son says it reminds him of Minecraft music… which is probably quite appropriate. If I were to install this, I wonder if I could give people a choice – they could choose between the harsh backward version or the gentle AI version perhaps.
I do still need to edit some contemporary animations in, I think. I have been playing with ADOBE Fuse and will see if I can make the animations work – they don’t need to be long and even if I simply screen-record the process, that might work.
Here the film is with some of Simon and his app’s music:
I think the way you’ve put all these versions together is fantastic. Wondering how much of you is being inserted here. The version with the backwards music comes over as more frantic to me, whereas the final one seems more reflective, poignant, observing from a distance. Don’t know whether that makes sense.
Those music apps are amazing. Shames as well that you weren’t able to be at TVG yesterday where Dawn talked about GANS.
LikeLike
Thanks – it’s still going. I might have a play with some animations this week before I get on with getting that bloody essay into final shape. It was my mum’s 70th birthday yesterday and I drank way too much fizz at lunch time so wouldn’t have been much use at a meeting.
LikeLike