I have removed my own images taken with flash. I really don’t know what to do with the poem or those pictures. I don’t think they fit but are part of the process.
Or else, if they are anything, they are separate albeit related work.
Ruth really liked the poem and I am glad she did. But every time I think about adding it in some way, I feel now like I am shoe-horning it in. When I look at Ruth’s work, I think I can see why this appeals to her more than the montage film.
Here is the film as it is today. Same password as before.
But it does repeat what I have done before.
After thinking about adding the poem and images to the film in some at the end as an epilogue perhaps, I will now try somethings out with it in PS or Illustrator. I read yesterday in a group email from someone who attended Unseen in Amsterdam that much of the work was alternative processes and that there were hardly any digital prints at all. Why would everyone rush to do the same thing? I will keep exploring digital – how can we not at this time in our history? When digital is having such an effect?