Step by step notes – putting concepts outside head
Today – Consumerism via narratives/moving image dominant form relating to ancient mythology






SJField – OCA Level Three Study Blog
Body of Work & Contextual Studies
Step by step notes – putting concepts outside head
Today – Consumerism via narratives/moving image dominant form relating to ancient mythology






I felt it would be useful for me to pause and consider where I am at this juncture, and where I came from in order to arrive here. The OCA has been an immensely useful container but the journey I’m on, the desire to understand something fundamental but hard to pinpoint began long before 2014. Perhaps as long ago as when I was a child watching how strangely the grown-ups behaved and wondering why. Or noticing how we (I) emulated others; accents, behaviours, tropes, and then absorbing these actions and making them ours (mine).
This will be a long post and is for my benefit rather than anyone else’s – it feels necessary and important to get these thoughts outside my head as a part of a process in relation to CS and BOW. And also, that it should be more conversational as opposed to confined by the rigours of academia although the habit to identify quotes is strong nowadays. Ruth (previous CS tutor) had suggested experimenting with form for CS and so I won’t rule out including sections of this, or developing it, if down the line that seems like a route I would like to take.
I started making notes for this blog yesterday as I marched along the street, sweaty because it was very mild and I was dressed for the artic, muttering to myself about what exactly it is I am exploring here in this work; I began to formulate a narrative that linked my life with the theories and ideas I am looking at.
Right now, I think it always starts with digitisation. I am fascinated by the revolution we are currently living through, by the assumptions people make about it. About where it comes from, what it’s doing, why we’ve contrived to arrive at this point (without volition – is that possible? Or is contrived the wrong word?)
Groups used to be smaller. For most of our evolutionary history, we lived in manageable extended families. Across cultures, there were some basic similarities. Nikolas Christakis covers these in his book Blueprint (2019). He talks about a social suite, which ‘includes individuality, love, friendship, co-operation, learning and so on’.
He also talks about the dyadic nature of humans. I really like this. It’s a word I came across when I was reading about babies and their primary carers. In the baby literature, it implies living in this secondary invisible placenta; it contains mother and child. Both are deeply connected within and even shielded from something outside the dyad. Not all mothers experience this. And modern culture seems to makes it challenging for genuinely dyadic relationships. Some people suggest the high numbers of post-natal depression are related to this failure to connect – and I suspect there is some truth to that although it can also be down to a lack of support, which is of course, another connection with other mothers/parents/helpers – or allo-parents, a term used by Sarah Blaffer Hrdy, a socio-anthropologist who writes about mothers.
I was lucky. I did experience a deep connection with all of my children. During my divorce, I seemed to be able to protect my youngest in this little bubble from all the toxicity outside of it. It also taught me that symbolic language isn’t always necessary (I should have been far more consciously and intellectually aware of this given my acting training)- that we can communicate without it, even while we are asleep. And that has been very important throughout this course. I’ve learned that symbolic language is a distancer. It helps us to distance ourselves from ourselves, never mind anyone or anything else. “Use your words” is a constant refrain to toddlers who prefer to lash out when angry. We ‘otherise’ ourselves, remove something and in the process de-intensify it – be it rage or love – through the use of symbolic language whether it’s written down or simply spoken. We send our thoughts out into the world with language; a little bit of ourselves leaves our bodies and lands elsewhere. It can land as a caress or a weapon and it has an effect but, while wounding with words can be devastating and the cause a chain of fatal events, it removes us from direct violence. Again, Christakis discusses this, as does Richard Wrangham in his book The Goodness Paradox (2019)
A little bit of us – a thought that gets heard is something that can affect others.
In a dyad between a mother and child, something else is going on. Physical reactions take place that don’t need words, not even as thoughts. A baby wakes in one room and your breasts start leaking in another. The prickly sensation of your milk ducts filling up is what alerts you and you check in to see your infant’s beaming face – and they seem to have known you were on your way. I’m painting an idyllic picture – it’s not always like this, obviously. And some women and babies have a really terrible time. There is so much in modern culture which gets in the way of the connecting behaviours that evolved to help us survive. But somehow most mothers (although not all) and also fathers overcome the many, many obstacles. When your child falls over, a jolting sensation takes place in your own body as if you too have fallen. The theory suggests mirror neurons are responsible, which apparently exist in all primates (and beyond no doubt). It happens with other relationships too but it’s very noticeable in parent/child pairs.
Christakis discusses the hyperdyadic nature of the human species. In other words, we are all connected, that is how we operate. Hegel talked about collective consciousness. Edward O’ Wilson has spent a lifetime investigating the hive and applying it to human behaviour. Social contagion or mimetics are other words to describe this phenomenon. Despite sounding so modern, it seems plain as day to me that we are networked creatures and always have been. Christakis’s earlier book is indeed titled Connected (2009). These connections mean that ideas spread around cultures and groups even when there has been no physical contact. Wilson discusses this strange ability seen throughout history when inventions take place in more than one place at the same time.
The Internet is a response to a lack of connection, perhaps in particular relation to population growth. As groups got larger, we stopped being connected. Social fragmentation, evident in the artwork of the early 20th century is one expression of this loss of connection between people and in relation to how reality felt. We humans then ingeniously came up with a way to address that. We dug down into reality and found a way to emulate it. Despite its relative technological advancement our code is still a crude copy. And there is a problem. The code we use to make these connections is a language. It underpins all the forms and media that we see on our screens, which is also another layer of language. So inherent and embedded in the anatomy of the Internet is a process of distancing. What’s even more difficult, as my lovely and intelligent friend rages about often, the people writing the code are very frequently a certain type. “They are the nerds!” she states angrily. “The people who aren’t naturally social, who don’t understand relationships, who are on the spectrum and can’t communicate. The ones who don’t have any empathy!” This is blatant stereotyping but the people writing the code are aware there is a problem. They know they need to write empathy into the code. They know this. However, for now, empathy is missing and the fact the whole thing is structured on language which is itself a distancing process means there is a structural problem which we may never be able to overcome, although I have faith in humanity
We can be optimistic because while we have collectively tried to re-connect using digital technology, which emulates natural linkages, today we’ve not even begun to see just how powerful our technology will be. This is both frightening and exhilarating. Once quantum computing moves out of its infancy we will not only emulate ‘hyperdyadicness’ (not a real word, I know), we will reach a point where simulation and nature are interchangeable. There are many, many foreseeable and unforeseeable problems but we will go on an incredible journey as our clever people look for the solutions.
We have begun the process though. So far it has wrought terrible consequences in the form of nuclear war. But what we’ve lost over time as language developed and civilisation grew is currently being rediscovered through quantum science and systems theory (which is interdisciplinary – don’t underestimate how crucial that is). People often see similarities between Eastern philosophies and the newer sciences. But I am wary of spouting racist claptrap. However, it is well documented that the Dalai Lama is interested in quantum mechanics and Luisi and Capra (2007) devote a carefully written chapter to the relationship between spirituality and science.
Karen Barad’s book Meeting the Universe Halfway (2007) deals with the philosophy of quantum science. She cannot stress the importance of entanglement enough. She explains how ideology and world-views are embedded in the apparatus’ and the framing of our experiments and subsequent related objects and behaviours. This embedding is also explored in Vilém Flusser’s Towards a Philosophy of Photography (2012). The ideology is in the apparatus and photographers (all except experimental ones) are flunkies or to use his word, functionaries – they ‘are inside their apparatus and bound up with it’ (loc 2086).
What stops us from seeing this is our ‘Cartesian habit of mind’ (Barad, 2007). Both Systems Theory and quantum science urge us to move away from the strictures of a Newtonian/Cartesian worldview where isolated objects exist in a void universe and nothing is connected or relational. Entanglement has been lost in our understanding of reality and we are working our way back to incorporating it now. But there is a long way to go and it’s on the fringes of society – although arguments to suggest it is becoming embodied through our interactions with digital data.
The problem with arbitrary lines around isolated objects is that it too often engenders a simplistic, black and white of view of the world. (And that is being kind.) This can be seen across disciplines and in photography it is endemic. Photography which claims so loudly to be a ‘caller out of injustices’ seems in fact to reinforces unhelpful mentalities, undermines any attempts to move away from hierarchical thinking, narrows down meaning, oversimplifies complex issues, attracts monism, flattens nuances, strips away context and relationships. Still photography in particular entrenches all of that. It isolates and insists on objects in a void. It suggests the opposite of a ‘dynamic and shifting entangling of relationships’ (Barad, 2007: 35) no matter how hard people point out – and writers such as Ariella Azoulay have done -– that history and the objects we construct are forever subject to re-examination, are alive with possibility and liveliness.
There is something inherently unavoidable and entrenched, in particular in still and analogue photography. I look at the ontology of a photograph and see that at its core, still and moving image are one and the same thing. We may intervene and add lots of frames together or else we isolate a single frame but they are both an agential cut (a Baradian term which I will explain more fully in my extended essay and in BOW). It’s the isolating that causes problems.
I find it hard that people fail to appreciate intra-relatedness. My interactions with a secondary school shocked and enraged me too as my child was being so badly affected by their entrenched position in an out-dated reality, in a constructed and ludicrous simulation of the past that is no longer relevant and entirely inappropriate to its surroundings, and that they seemed utterly oblivious to emergent changes to the world or else angrily against them. This is especially unhelpful for young people who have grown up with the problematised Internet which, despite its many issues engenders a networked view of reality. It is frustrating beyond belief that so many want to drill down into detail so tiny, they leave no room and can only focus on single issues, which they hope will somehow communicate something greater, rather than simply isolating themselves and their ideas in the void. It astounds me how this habit of monism fails us but is still so prevalent and is taught in schools and colleges and universities; but then I recall the citation which I begin CS A2 (draft) with by Capra and Luigi: ‘It [this habit I’ve described] derives from the fact most people in our modern society, and especially large institutions, subscribe to the concepts of an outdated worldview, a perception of reality inadequate for dealing with our overpopulated, globally interconnected world.’ (2014) Inadequate is the key term here. Inadequate. This old way of seeing and being will not serve us going forward. That is not to say we should forget history. We can’t. Because in an intra-related world the past is enmeshed with the future and the present. We must, as Azoulay (2019) recommends, re-evaluate our Cartesian linear view of time.
In my work I am, like the child who watched and noticed the adults and my friends all copying each other, performing roles, connecting. We have always done this. The Internet makes it visible. It somehow speeds the process up (See Virilio (2008) on speed and technology). The breaks are no longer in place. But we will write them into the code again. In the meantime, I do believe we need to find ways to communicate and explore intra-relatedness. We must challenge linear understanding, flat thinking, monism. Not everyone I value or follow agrees that there are no objects, that process supersedes things. However, we have lived with that myopic view for so long in the West and it has taken us to a very dangerous place. And so it behooves anyone who has the capability of addressing and deconstructing it to do so.
Looking for a critique of Barad’s work I have come across this which confirms some of my concerns and questions, although rather more acerbically than I might have done. It begins with the following which made me laugh – humour in an academic paper, good! I do wonder if there is an element of peevishness in the article – will wait and see:
‘In Artful, her collection of critical essays, Smith (2013: 41) reminds us of a childhood game designed to break the boredom of long car journeys – ‘Ten points to the person who can see the Forth Road bridge’ – and points to its direct suitability to the situation of the academic conference: ‘Ten points to the first person who hears someone say the words Walter Benjamin.’ In recent years, it has been possible to play a version of this game substituting ‘Karen Barad’ for ‘Walter Benjamin’. If we add in bonus points for a cluster of terms taken from her book Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning (2007) – especially ‘entanglement’, ‘diffraction’, ‘intra-action’ and ‘agential realism’ – then a fine game of ‘Barad Bingo’ can be had far and wide across the humanities and social sciences: from conferences on ruins, animal ethics and informational infrastructures to journal articles on lifelong learning (Edwards, 2010), bullying in schools (S ̄ndergaarda, 2012) and feminist theories of fashion (Parkins, 2008).’ (Hollins, et al, 2017)
Hollin, G, Forysth, I, Giraud, G et al. (1 more author) (2017) (Dis)entangling Barad: Materialisms and ethics. Social Studies of Science, 47 (6). pp. 918-941. ISSN 0306-3127
Click to access Disentangling%20Barad%20-%20version%20for%20repositories.pdf
Will report back with further notes – but good to see some counterpoints
‘We conclude the article by arguing that in much of the literature drawing upon Barad there is a focus upon diffraction and entanglement and that this has come at the expense of considerations of complementarity and necessary exclusion. We suggest, however, that it is the radical potential of an ethics of exclusion which is perhaps most vital to those continuing to use Barad’s work.’ (5)
Hard not to disagree with the following or any other form of information which becomes a holy grail and therefore dogma spouted by dogmatic, excluding followers. ‘Despite seeing a number of potentials in agential realism, however, it is important to caution against uncritically extolling the value of this approach. As Willey (2016: 993) powerfully argues, it is dangerous to position new materialism as a radical break from feminist, postcolonial STS (see also Sundberg, 2014), and uncritically valorizing agential realism can lend strength to this trap.’
This book is vast and complex so I think I might try to make notes as I go. Although there is a risk in reading it that I will be carried away in unhelpful albeit exciting directions, I think it is worth taking because as I move through it I am beginning to have specific ideas about what I’m aiming to explore – and it’s very much linked to ‘seeing’. In DI&C A3 (2019) I began to explore the tendency for photography (both academic and more popular forms) to engage in hierarchical thinking, despite the fact that individuals within it often make great claims about using photography to interrogate society. This results in photography reinforcing rather than dismantling segregation of various forms.
Equipment and output are (perhaps catastrophically?) ‘entangled’ with the history and uses that engendered photography’s invention. I quoted Ariella Azoulay’s blog posts Unlearning the Origins of Photography (2018) which I now see are influenced by the same undoing of a Cartesian mindset that exists in Barad’s writing. I will also need to revisit Flusser’s Towards a Philosophy of Photography (2012) as the ‘apparatus’ – i.e. the social and economic machine in which the camera exists seems relevant.
So here are some bullet points notes for now:
‘The discursive practice approach is grounded in four insights concerning discourse. One is the affirmation that social realities are linguistically/discursively constructed. The second is the appreciation of the context-bound nature of discourse. The third is the idea of discourse as social action. The fourth is the understanding that meaning is negotiated in interaction, rather than being present once-and-for-all in our utterances.’ From http://voidnetwork.gr/wp-content/uploads/2016/09/Discursive-practice.pdf
My problem – and this runs throughout the Barad and New Materialism material I’ve read (still reading, still trying to understand and a way to go) is that, while I appreciate that language has been given more attention than material/matter as Barad argues in debates about power – language and verbal action are in my understanding material and that distinction between the two is what prevents people up from valuing digital language (code, digital photography) which they see as non-material and therefore less worthy (in art especially). (See Lupton, 2019, How data came to matter (79)) The other thing is, assemblages and intra-actions which include discursive practices, as well as matter, don’t exist in isolation which is the base of her world view (which also tallies with systemic theories as far as I can see – again, based on very basic knowledge). I am aware I have not yet got the gist of Barad’s arguments about matter so – watch this space – I might get it eventually.
See Fred Ritchin’s final chapter After Photography (2010) as a possible intro into finding ways to use digital photography to bring these quantum influenced ideas into the discourse beyond scientific circles.
Think Zizek has critiqued Barad and will need to find it and see what he has to say… Been comparing what I recall of A Systemic View of Life
Azoulay, A. (2018) Ariella Azoulay – Unlearning Decisive Moments of Photography. [online blog/forum] At: http://www.fotomuseum.ch/en/explore/still-searching/authors/10605_ariella_azoulay (Accessed 15/11/2019).
Capra, F. and Luisi, P. L. (2014) The Systems View of Life: A Unifying Vision. (1 edition) Cambridge: Cambridge University Press.
Field, S. (2019) The Democratisation of Form, OCA Digital Image and Culture A3. [Essay]: WordPress. At: https://sjfdiculture.files.wordpress.com/2019/03/assignment-3-democratisation-of-form-submission-1.pdf (Accessed 15/11/2019).
www.danielrubinstein.net/wp-content/uploads/2013/04/Failure-to-Engage.pdf
This article by Daniel Rubinstein confirms my recognition of Freid’s conservativism and does a super job of helping me to more fully comprehend some of the ideas in Barad’s essay. Beneath the argument about theatricality and anti-theatricality, it explores the changing nature of being and knowledge – or ontology and epistemology, as expressed via quantum sciences and philosophies, namely Barad (2003), Lupton (2019), Rovelli (2017), Capra (2014) – leading to what Barad terms “Onto-epistem-ology”[which is] —the study of practices of knowing in being—is probably a better way to think about the kind of understandings that are needed to come to terms with how specific intra-actions matter.” (2003: 829) (See Rovelli and Kant in the previous blog.)
However, Barad argues against what she calls representationalism, which is; “the belief in the ontological distinction between representations and that which they purport to represent; in particular, that which is represented is held to be independent of all practices of representing. That is, there are assumed to be two distinct and independent kinds of entities—representations and entities to be represented” (804) If you can overcome this and see “representationalism as a Cartesian by-product—a particularly inconspicuous consequence of the Cartesian division between “internal” and “external” that breaks along the line of the knowing subject.” (Rouse, 1996: 209, Barad, 2003:805) then the arguments made be Fried begin to disintegrate. As – “it is possible to develop coherent philosophical positions that deny that there are representations on the one hand and ontologically separate entities awaiting representation on the other” (807) relying instead on emergence. And ff you see theatre as a laboratory (not just Growtowski’s but the entire history of it) then perhaps Fried’s entire argument collapses – although I am not sure Rubinstein gets there with this.
Some quotes below and perhaps an occasional note:
Edited 01/09/2009 to correct the spelling of Rubinstein’s name
It was good to hear someone say don’t separate CS & BOW. Students keep saying, you don’t need to connect CS to BOW and I can’t for the life of me understand why you wouldn’t connect them or why you’d want to disconnect them either. I have actually been thinking about these reflections which are are usually relevant for both and wondering how to rearrange the menu system as both modules become more and more interconnected.
It was also useful to think CS A3 as a research document setting out my plans and suggested research question – which I have yet to identify.
The other useful thing that came out of the session for me was thinking about overarching topics I’ve been investigating since the end of UVC, and how I can put those into some kind of tangible form. Here is an attempt to pin down some of these very big themes and links to relevant subtopics.
From my Sketchbook blog:
For millennia, language was on the outside. We could, in retrospect, usually see it. On walls, in caves, then tablets, scrolls and eventually in books. [Lately on advertising hoarding and signs telling us how fast we can drive, where we can park, if we play, enter, stay out, smoke, shop, make noise, and of course, what we can buy, how much better we will be if we buy whatever it is.]
Today, as many but not all are aware, it [language] somehow exists more and more on the inside [but not the inside of us as it did before emerging – although I think it is generally thought of as outside – rather the inside of machines and devices]. And in places it can’t be seen.
This means we often have no idea what’s being said. We are less able to read the signs [Or even see them]. Vast dynamic archives of language exist – somewhere – affecting everything. We know they are there. But they’re invisible. We see the flimsy surface only.
It’s true, in the past archives tended to be secreted, were often sacred, and contained as well as emanated power.
Very few would have had access.
It’s just that today the whole world is one big archive. And it’s hard to imagine how anyone escapes. [Could do with expanding the final thought.]
Derrida’s Archive Fever, University of Chicago Press; Reprint edition (19 Sept. 2017)(The first chapter may be useful here)
Chapter 7, Turning Reality Inside Out and Right Side Out: Boundary Work in the Mid Sixties of Philip K. Dick, Hayles, K. (1999) How we became posthuman: virtual bodies in cybernetics, literature, and informatics. Chicago, Ill: University of Chicago Press.
When I was a child a boy in my class used to turn his eyelids out. It revolted me. The other boys found it hilarious. I hated seeing him do it. It hurt to look at and to think about, and still does. Seeing my reaction, he did it all the more to taunt me.
I believe these aspects of our existence are inter-related. From my BOW A2 assignment:
As part of my on-going research into language, culture and reality, I’d been reading Richard Wrangham’s The Goodness Paradox (2019) and books by Nicholas Christakis who wrote Connected (2009) which is about social networks (in general, not just digital ones.)
Wrangham’s book centres around the idea that human beings evolved with an ability to temper their immediate aggression, while simultaneously developing a propensity for calm, rationally-considered, pre-planned violence. Humans also became hyper-co-operative; today collaboration is part of our DNA. Wrangham suggests these trends are underwritten by our ability to talk to and about each other, and that we have an ever-present unconscious fear someone might be watching, gossiping, and planning to do away with us if we don’t conform. Gossip allows us to conjure up stories, deny and blame others, and plan punishment for anyone deemed a deviant. Wrangham’s theory along with Christakis’ ideas about connection sit at the centre of my contribution to the project. (2019a)
Performance grows out of the knowledge we will be seen and so we must ‘act’ the part in order to be accepted, to survive in the group. However, as Karen Barad tells us – entanglement is critical and without it perhaps nothing at all emerges. Her description changes my understanding of the conscious agent which I wrote about CS A2 – assuming a notion which I accepted in books about systems. However, Barad says something which fundamentally changes the underlying nature of performance and I’m still trying to get my ehad around it: ““A phenomenon is a specific intra-action of an ‘object’; and the ‘measuring agencies’; the object and the measuring agencies emerge from, rather than precede, the intra-action that produces them.” (Barad, 2007, p. 128). From Sauzet, 2018 – https://newmaterialism.eu/almanac/p/phenomena-agential-realism.html Accessed 21/10/2019 From https://sjflevel3.photo.blog/2019/10/21/bow-cs-notes-research-karen-barad/
Today we appear to perform for ourselves and the manifestation of such is available for all to see on social media. But there are also more private performances which people don’t necessarily share widely (although some do) which emerges from tracking devices. See Lupton’s Data Selves book.
At the beginning of Self & Other I wrote about Léopold Szondi. After reading The Body & the Archive by Allan Sekula I was reminded about his thoughts on language. I said, “Szondi was also I believe interested in those ‘in-between spaces’ I’m so keen to find out more about. “language is a ‘social fact’. It is the glue that holds society together; through ‘language a child becomes integrated with a social community,’ and ‘it serves to maintain social interaction’. Since dialogue is the primary vehicle of interpersonal relations – what Szondi calls the sphere of the between -it lords it over traditional theatre” (Holmberg, 1996; 67).”
I am interested in the changing nature of language, the structural implications of a language which is coded and incomprehensible to most of us. Flusser’s thoughts on the ease with which we use devices compared to the complex nature of them which bypasses most of us may be useful to revisit.
Flusser, V. (2012) Towards a philosophy of photography. London: Reaktion Books.
Data Selves by Deborah Lupton also contains useful content about language and its relationship to new materialism. “In new materialism, the poststructuralist emphasis on language, discourse, and symbolic representation is enhanced by a turn towards the material: particularly human embodied practices and interactions with objects, space and place.” (2019: 15) However, she also writes a great deal about how data (language) manifests as those things – so although data seems immaterial, “things that are generated in and through material devices (smartphones, computers, sensors), stored in material archives (data repositories), materialised in a range of formats that invite human sensory responses and have material effects on human bodies (documenting and having recursive effects on human flesh” (19).
I need to revisit Barthes’ Myth Today (1957) https://uvcsjf.wordpress.com/2016/07/18/notes-project-3-3-myth-is-a-type-of-speech/
I suspect Karen Barad’s ideas are going to be important. And I suspect they will inform all three of these key themes. I need to investigate further before adding them here. However, I think I have identified three key topics: Inside Outedness, Gossip & Performance and Language. I wonder if the latter is the umbrella under which Inside Outedness, Gossip & Performance exist. And the term assemblage which I’ve talked about quite a lot lately is not a theme but rather a structural reality, and our modern form of assemblages are what’s resulting in inside outedness. How I bring any of this into a semi-coherent work yet is anyone’s guess a this time!
